Whisper Not (various minor ii-V-i progressions in different keys) (first four chords are a minor ii-V-i, and it soon moves to a minor ii-V-i based on the four chord) Some example tunes you can use to practice this sound:Īlone Together. A7=Bb melodic minor Bb C Db Eb F G A Bb.Em7(b5)=G melodic minor G A Bb C D E F# G.All of the licks are in D minor, and thus use: Here are 8 licks to help you understand how you might use melodic minor over a ii-7(b5)-V7-imin69 progression. We want to sound like we are playing JAZZ, not playing scales. This is a cool concept, but unless you have some examples, you may not quite know how to apply the concept adeptly. Over the imin69, use the melodic minor scale based on the root.Over the V7 chord, use a melodic minor scale up a half-step from the root.Over the iim7(b5) chord, use a melodic minor scale up a minor third from the root.Over a minor ii-V-i, the melodic minor sound is used thus: Jazz melodic minor soloing is a very hip sound. I will demonstrate both sounds over this next two-post series. Some musicians prefer the melodic minor sound, while others prefer using the harmonic minor sound. Soloing over a minor iim7b5-V7-i progression is often played with either melodic minor harmony or harmonic minor harmony.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |